Archive for the 'Misc. Music' Category

Our Sub-Prime Brains

How many human problems are, at base, neuroscience problems? Well, since all human problems are rooted in some way in human nature, and since human nature is rooted in our brains, I suppose all of them are in one way or another. However, sometimes the direct link between our behavior and our neurological predilections is clearer than others…

Take, for instance, the current subprime mortgage crisis. As Jonah Lehrer discusses at The Frontal Cortex, part of the explanation for why people take out subprime mortgages (which offer low introductory interest rates that quickly shoot up) that they won’t be able to afford can be found in the brain.

Lehrer explains:

So why do people take out sub-prime loans? Don’t they realize that they won’t be able to afford the ensuing 28 years of mortgage payments? I think a big part of the reason sub-prime loans remain so seductive, even when the financial terms are so atrocious, is that they take advantage of a dangerous flaw built into our brain. This flaw is rooted in our emotional brain, which tends to overvalue immediate gains (like a new house) at the expense of future costs (high interest rates). Our feelings are thrilled by the prospect of a new home, but can’t really grapple with the long-term fiscal consequences of the decision. Our impulsivity encounters little resistance, and so we sign on the bottom line.

It turns out that recent research give us a crystal-clear picture of what’s going on and where it’s going on:

The best evidence for this idea comes from the lab of Jonathan Cohen. Cohen’s clever experiment went like this: he stuck people in an fMRI machine and made them decide between a small Amazon gift certificate that they could have right away, or a larger gift certificate that they’d receive in 2 to 4 weeks. Contrary to rational models of decision-making, the two options activated very different neural systems. When subjects contemplated gift certificates in the distant future, brain areas associated with rational planning (the Promethean circuits of the prefrontal cortex) were more active. These cortical regions urge us to be patient, to wait a few extra weeks for the bigger gift certificate.

On the other hand, when subjects started thinking about getting a gift certificate right away, brain areas associated with emotion — like the midbrain dopamine system and NAcc — were turned on. These are the cells that tell us to take out a mortgage we can’t afford, or run up credit card debt when we should be saving for retirement. They are our impulsive pleasure seekers, the hedonists inside our head.

By manipulating the amount of money on offer in each situation, Cohen and his collaborators could watch this neural tug of war unfold. They saw the fierce argument between reason and feeling, as our mind was pulled in contradictory directions. Our ultimate decision — to save for the future or to indulge in the present — was determined by whichever region showed greater activation. More emotions meant more impulsivity.

Therefore, we essentially know the neural root of common financial errors. Does this mean we could create a drug or treatment to curb such impulsiveness? Does this mean subprime loans need to be regulated more strictly to compensate for people’s lack of self control? Does it mean lenders are ruthlessly exploiting holes in our brains to trap us in debt?

The problem, of course, is that each of us presumably has a slightly different tug of war going on. Some people are good at listening to their rational side; some people give in quickly to impulse.

I’ll admit I don’t quite know what the implications are of knowledge like this. We learn more every day about how irrational human beings are, despite our firmly held belief that we’re in control of our own minds. It’s seems clear, though, that these developments will force us to reconsider our concept of free will. And that, in turn, is a major threat to our concept of individual freedom.

Catastrophe Keeps Us Together

All you emo fans out there (you know who you are), here’s Rainer Maria’s video for their new song "Catastrophe Keeps Us Together." Album of the same name.

Enjoy.

Hipness

I haven’t heard this disc yet, Wilco’s Kicking Television: Live in Chicago, but if it’s anything like the show they played on New Year’s Eve in Madison Square Garden, it will rock. Hard. Especially "Spiders (Kidsmoke)."

That show was also the first listen I ever got to Sleater-Kinney’s The Woods. It’s the best album they’ve ever recorded, in my outside-the-lesbian-indie-mainstream opinion. Three-woman indie-rock group meets Led Zeppelin. Pretty hot.

Though, if you’re looking for chicks rocking, I must continue to recommend everything by Palomar. Particularly Palomar III: Revenge of Palomar.

Infectious. Like the bird flu.

Let a Thousand Flowers Bid

My most recent column in The Post, on why payola in the music business is just fine:

Maybe Attorney General Eliot Spitzer should simply pay radio stations to mention his name on a daily basis as he gets ready to run for governor. That way, at least, we’d all be spared wastes of time and money like his recent investigation into music-industry payola.

On Monday, Spitzer’s office announced one of its famous “settlements” with Sony BMG. After months of taxpayer-funded investigation, Spitzer got Sony to admit to bribing radio stations to play its artists: $1,000 to get a J. Lo track added to a playlist in Buffalo, $750 to get more Beyoncé and Train on the air in South Burlington, Vt., a digital camera for this DJ, a laptop for that program director — and on and on.

The company agreed to pay a $10 million fine, and it promised (not incidentally) to stop bribing people.

And, so, now we know . . . what exactly? That all those Celine Dion, J. Lo and Audioslave songs on the radio aren’t actually the most meritorious music out there?

That radio isn’t a juried art exhibition, with critics picking winners and losers based on artistic merit and moral integrity?

Thanks a lot, Eliot.

For robbing millions of New Yorkers of their child-like innocence.

Of course music companies pay for play. And, yes, it is illegal.

But the real question New Yorkers should be asking themselves is whether any of what Sony did is actually wrong or harmful to consumers.

Payola is as old as recorded music itself.

In fact, it’s older.

Spitzer should concentrate on more important things. Meanwhile, let a thousand flowers bloom. And let them bid for their places in the sun.

It was also payola day at the Times, with this op-ed and this one, too.

They Shipped Me to Washington

Palobrush

D.C. area Palomar fans (I know you’re out there), check out the girls (and guy) at the Velvet Lounge on Sat., Feb. 12.

And, you can check out a video (pretty low budget) for Albacore, the single off their new album.

Check out some of their earlier songs here.

A Ghost Is Born

Tweedy

Well, I never thought I’d see one of those famous Wall Street Journal dot-art pictures of Jeff Tweedy, frontman of Wilco. But here it is. The story’s (subscription required) about the last maker of reel-to-reel tape filing for bankruptcy:

Jeff Tweedy, leader of the rock group Wilco, prefers to record music on reel-to-reel tape rather than on the digital equipment that has overtaken the music industry. Purists like him think it confers a warmth and richness to recordings that a computer cannot.

But last Friday, Mr. Tweedy hit a snag as he prepared for a session in Wilco’s Chicago studio space: Nobody could find any of the professional-grade audio tape the band is accustomed to using. “I was under the impression that there was a shortage of tape in Chicago,” Mr. Tweedy says.

What he didn’t yet realize was that the shortage is global. Quantegy Inc., which may be the last company in the world still manufacturing the high-quality tape, abruptly shut down its Opelika, Ala., plant on Dec. 31, leaving audiophiles in the lurch.

Quantegy filed for Chapter 11 bankruptcy protection on Monday and hopes a restructuring will eventually revive its operations. But its future is uncertain, inasmuch as demand also is dwindling for its videotape.

The news has set off a frantic scramble in the music industry as producers and studios seek to secure as much Quantegy tape as possible. By the middle of last week, most suppliers around the country had sold out their entire stocks of reel-to-reel audio tape.

Quantegy is hearing from customers all over the world trying to secure the professional-grade tape. A Japanese musician e-mailed from Tokyo, eager to get more for a recording session. Richard Lindenmuth, Quantegy’s president and chief executive, says he’ll try to help. Some customers are trying to organize their own bailouts of his company. Andrew Kautz, president of the Society of Professional Audio Recording Services, called Mr. Lindenmuth Friday hoping to get a one-time special order, a request Mr. Lindenmuth is considering.

So, the company may be bailed out, but Tweedy has a backup plan:

Looking ahead to a tape-starved future, Mr. Tweedy has a fallback: The band has an archive of around 100 reels of tape it has used in recording its various albums. By splicing out and saving the final version of each song, he figures they can maintain the archive and also generate a supply of tapes that can be recycled for future recording sessions.

Still, Mr. Tweedy jokes, if the tape scarcity continues, even some of the archived recordings might become expendable. “I’m just fearful that all the master tapes at the loft would be worth more if they were blank,” he says.

Chances are, production of this kind of tape does have a market and thus will survive in some form. But it’s going to get pretty expensive for its few adherents.

Goddamned capitalism.

Oh wait, this is a story of capitalism working. Cheaper, more flexible digital recording technology has opened up the music market to thousands and thousands of bands and independent musicians who are able to record albums much more cheaply now — in their basements, if they like. And the big-name rock bands, like Wilco, who want the boutique-y stuff, will likely find a way to get it.

Yay, capitalism!

Revenge

Palomarbag

Local (and personal) faves Palomar were listed by Newsday as one of 10 local bands to watch in 2005.

That’s much deserved recognition. But the comparison of them to “stuffed animals with guitars” is the kind of thing that explains why their most recent disc is called: Revenge of Palomar. (samples at Amazon)

More on them, including links to MP3s: here.

You should put your hands together, last but not least, for the Palomar

Palomar

Band recommendation: Palomar.

I couldn’t be more into their second album, Palomar II, right now. This is an extraordinarily catchy three-girls-and-one-guy band out of Brooklyn. And the best part is, through the magic of the Internet, you can check out a few of their tracks by the simple process of clicking on the following links:


Static
(Palomar II)

Knockout (Palomar II)

Slingshot (Palomar)

This is what you won’t hear on evil corporate radio. Don’t get me wrong, I’m all for evil corporate radio, I just don’t listen to it and route around it every chance I get.

Anyway, through the evil corporation Amazon you can sample more tracks and buy the albums. (The self-titled first album, “Palomar,” however, is only available through the band’s Web site.)

Pal2cover
Palomar II

Coveriii
Palomar III: Revenge of Palomar




 

Ryan Sager's Email List

Name:
Email:
Subscribe  Unsubscribe 

Recent Comments